I have not watched the new TV show Awake on NBC. I understand the story is about a police detective who “woke” up from a car accident and realized that he’s caught in two realities, or two dreams, or rather one reality + one dream. In one half of his life, his son died, whereas in the other half of his life, his wife. In order to keep both of his loved ones “alive”, he decided to keep living this dual existence, ignoring the clues threatening to expose one half as “fake”.
I am scared to watch it…
I’ve had realistic, vivid nightmares in which I kept on telling myself, “No, it could not be. This has got to be a dream. Wake up! Wake up!” but I could not wake up. Fear would quickly settle in as I realized (erroneously) that this was not a dream. I would cry out from the pang of despair, with real tears,
in from my dream. Often the warm tears would startle me and I would wake up, completely disoriented. “It is a dream after all.” My relief however would soon be overtaken by fear, fear that maybe next time, I would not be so lucky. Next time, I would not have anything to wake up to.
On the other hand, I have never had a dream so enticing that I do not want to leave it. (Probably a sign for lack of imagination?) Yet, on some days, when I am wishing for a do-over, I felt I could somehow understand why “the wife” in the movie Inception felt that way about the limbo she was in. (I will stop here lest this becomes a spoiler… even though I assume everybody that wants to see the movie has done so already…)
Remember Cypher (played by Joe Pantoliano) in The Matrix? He basically said “Fuck this. Put me back in the dream because reality sucks!”
If a dreamscape is so real that you cannot tell, what makes it any less real?
You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit-hole goes. — Morpheus in The Matrix
“Which pill would you take: red or blue?” I get a headache whenever I think about this.
You would laugh if I tell you what started this whole debate inside my head. It was the song Video Games by Lana Del Rey playing in the car on our way home after watching The Hunger Games. Now, a digression…
I am one of those empathetic people that cannot help imagining myself in the protagonist’s place when watching a film — That explains why I cannot watch horror movies — therefore I watched The Hunger Games with heightened alarm. The games would be a nightmare I do not want to be caught dead (or alive or sleeping) in. I KNOW, if I were there, I would be the first one to die. And that thought alone makes me want to hide a piece of cyanid in my tooth cavity. (I never claim to be brave so there).
Ok. I am back on track. (According to The Husband, this IS how I talk in real life…) When I heard Lana Del Rey’s voice, I remembered the big brouhaha over her flop on SNL. There was so much hype around her first ever TV/public appearance, on SNL nonetheless, people were shocked (or perhaps even outraged?) to find the Internet sensation could not deliver the promise in a live performance. It appeared that she could not sing nor did she know what to do with her hands. I cringed for the first few minutes and had to turn it off. It was painful to watch. I will admit: I liked her musical videos. I liked her voice in the videos. I still do. The videos were expertly produced, looking and sounding fantastic. The out-of-proportion backlash against her on the Internet (The Internet giveth, the Internet taketh) following her SNL appearance made me wonder out loud:
So what if the persona Lana Del Rey is fabricated? You liked her when you thought she was real, what changed now that you know her daddy is rich and her lips may have been undergone some cosmetic surgery, and that her voice may have been digitally enhanced during production? What if she had simply stayed a virtual Internet sensation a la the Japanese virtual pop star Hatsune Miku: a synthesized presence that, understood by all partaking in it to be “artificial”, yet fulfills something the audience yearns for that is not achievable in real life.