Tag Archives: home is where the heart is but what if the heart is torn asunder

Help! Cuteness is everywhere.

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I had the privilege of flying on one of Eva Airlines’ Hello Kitty planes today.

Here's a screenshot so you know what I'm talking about

 

Everywhere you turn on the plane, you see signs of Hello Kitty: from the pins on the flight attendants’ uniforms, their pink aprons, the pillow covers, to the air freshener in the lavatory.

Eva Airlines is seriously dedicated to Hello Kitty

 

I started chuckling as I stepped onto the plane. It’s cute and adorable. But soon I grew weary. [Yes, I tend to overthink. Are you even surprised?]

There are obvious social and cultural reasons that girls, and in fact, women under 50, are encouraged to be cute, to find cutesy things desirable, and also to screech in delight whenever such cutesy things are encountered: In a patriarchal, male-dominant society, men prefer women that are dependent and docile (or at least seemingly so) and find them to be more attractive.

A nation of young women marching to the drumbeat of cuteness. Some critics have even gone so far to call it the “infantilization of women”.

There is the voice that many women here speak in. High-pitched and nasal. 

The facial expressions: eyes blinking deliberately with eyelashes a-fluttering, better yet if they appear to be watery & starry. Verisimilitude of manga characters.

I imagine myself a reject from the Hello Kitty factory.

I’ve never been able to be cute – partly because I am 5’7″ and not starving myself. By Taiwan standard, I am enormous. I also cannot fake Jennifer Tilly’s voice. Just imagine Lucy Lawless feigning cuteness. That. Did you throw up in your mouth too?

That being said, I begin to lean towards + on the cuteness scale when I arrive. It’s as if when I speak in Chinese, I assume a different personality. Or maybe they’ve spiked all the food here.

I tilt my head. I blink my eyes. I smile vacuously.

I know tomorrow I will start making a bunny sign when having pictures taken.

This is like an emergency note written by a survivor before the inevitable Borg invasion.

 

 

 

 

Going Home. Again.

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Waiting to get on a plane that will take me to Tokyo Narita, and then onto Taipei. I am making my annual solo trip back home so I can pack 359 days of homesickness, guilt and filial piety into a 3-day visit. (I will spend 3 days traveling due to time zone change and the sheer expansiveness of the Pacific Ocean).

As my parents get older, the necessity of going home as often as I could becomes unbearable. The anxiety and sadness I feel every time I see them though becomes unbearable as well. I long to see the joy in my dad’s face as much as I dread seeing his tears. March on, little soldier. That’s what I have been telling myself since I gave the TSA agent my passport and boarding passes.

I will try not to talk about feeling like a Godzilla as soon as I land in Tokyo. But I will feel that way while stuffing my face with food that I have been missing all year.

And I will try and send in pictures to be posted here (and below if the Flickr plug-in works). Just in case you wonder what I have been up to. *Megalomaniac laugh* *Megalomaniac laugh*

Love and peace.

Please specify a Flickr ID for this gallery

Where I’m From

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I am from sunshine, sweat, and bricks of humid air.

I am from have you eaten yet.

I am from rice, salted fish, stir-fried greens, from soy sauce, sesame oil, vinegar, from ginger, star anise, and cayenne peppers.

I am from concrete jungle, clothes lines stretched-across the rooftops, the smell of sun in the fabrics, of gardenias, jasmines and sweet osmanthus.

I am from morning glories winding along random barbed wires, coconut trees lining the streets crowded with motorcyles, from white azaleas strewn on the ground after thunderstorms like discarded Kleenexes.

I am from greetings, and salutations, from strangers in the streets who are also uncles and aunts and brothers and sisters and nieces and nephews and grandmas and grandpas.

I am from blood is thicker than water, from you don’t turn your back to your family, from families stick together.

I am from proper, ladylike, and demure. From handkerchiefs and silk scarves and pocketbooks. From you should always make sure your hand is not empty and idle. From knees together, ankles crossed.

I am from politeness, decorum, and unwritten rules that everybody abides by.

I am from hospitality, from it takes a village, from gossips and busybodies.

I am from if you swallow the watermelon seeds it will sprout from the top of your head, from don’t point your finger at the new moon otherwise she will come and cut off your ear when you are sleeping at night. From if you cry or misbehave, Auntie Tiger will come and eat you up.

I am from humility, gratitude and contentment.

I am from nobody owes you anything, from be grateful even if someone gives you a mere roll of toilet paper, from nothing you get is because you deserve it.

I am from temples, incenses, and gods and deities.

I am from reincarnation, from Karma, from eighteen layers of hell.

I am from lurid ghost stories of vengeance, from spirits within magnificent rocks and towering trees.

I am from convention, contradiction, and confusion. I am from Post-Colonialism, Late Capitalism, and Rampant Materialism.

I am from the proletariat.

I am from the hushed wrath of my father, the quiet disappointment of my mother.

I am from a bottle of Aspirins.

I am from the deafening silence of a mid-summer afternoon when the only thing you could hear was the cicadas.

 

Many thanks to Elly over at BugginWord for writing her beautiful piece “Where I’m From” and for alerting us to this wonderful writing exercise. Of course, I did not follow the rules in the template, not because I am some rebel chick but because I am not good at writing descriptive scenes. 

I just want to go home

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Photo Courtesy of Stew Dean on Flickr

 

Sometimes, for no reason at all, I would get a severe attack of homesickness.

Without any provocation, my heart would ache and I would get a sensation of emptiness and at the same time heaviness inside my stomach.

I recognize that feeling well.

It is an intense loneliness that comes from a herd animal being away from its kind.

I am exhausted: I just want to drop everything and go home.

Do Americans feel this way?

It seems to me that, (I know I am grossly generalizing here), Americans take it for granted that they will not be living where they grew up, and that they will, most likely, be away from their parents and siblings, simply on account of how vast this country is and how geographically widely distributed job opportunities can be.

So is the pang of homesickness less acute if you know you are not expected to be there in the first place? Not being adulterated by a sense of guilt? The mutual understanding that you are where you are supposed to be? Without the gnawing sensation that eats you away as you age, as your parents age, that somehow you have pulled a bait and switch on them?

“Oh I will be back in two years. Tops.”

That somehow you ran away. You did not stay put like 99% of the population on the small island, the size of Maryland.

Betrayal.

The feeling that you may have turned away and the chasm is now irreparable because…

many years ago…

you started dreaming in English?

Leaving

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Whenever I think of my trips home, I think of the last moment as my parents watched me walking away

 

 

I started getting it, bit by bit, that the thing between parents and children, the thing that ties you together is that all your life, you are forever watching them walking away.

[The inadequate, rough translation mine]

I read this in a book by Lung Ying-tai, a renowned cultural critic in Taiwan, on my plane ride back to Chicago in December 2009, and I have not completely stopped crying ever since…

 

It has proven difficult for me to write about my trips home because whenever I think of them, I think of the last moment as my parents watched me walking away.

The last moment, at the airport, right before I turned around and headed towards the exit, ironically named “the entrance of emigration” in Chinese on the airport sign.

The border always carries something more than simply arbitrary and abstract. The pang was so visceral that I found it hard to breathe right before I steeled myself and determined that this hug was going to be the last hug. I turned. I walked towards the police officer, handed him the passports and boarding passes. I told myself every time, “Don’t cry this time,” before turning back with a raised hand towards my parents merely a dozen steps away, my mother waving with a smile on her face saying goodbye to the kids, my father teetering on his cane, his figure stooped, his expression stoic. He looked so small even though you could still see traces of his healthier self when we made fun of him by comparing him to the Happy Buddha. I squeezed my heart into a smile on my face. I waved one last time and quickly stepped into the customs area. And then, they lost sight of me.

This is always the moment when my tears start beading along the edges of my eyes until they get so heavy that they roll down my cheeks. I cry because I know my father is crying at this moment as soon as we are out of sight.

My family has learned to have the tissue at ready because, like me, my father is especially susceptible to crying.  I didn’t become privy to this family fact till when in college, we watched Graves of the Fireflies together, I turned around at one point and saw my father’s face wet with tears. I moved the box of Kleenex that I was holding in front of him. He acknowledged it by pulling a handful of tissues from the box and blowing his nose throughout the movie.

I tried to wipe the tears away so I was not embarrassing myself in front of the airport security. Perhaps they have gotten used to seeing people in tears as they pretended not to notice the fact that I was heaving and hicupping from trying to act normal. My 12-year-old patted me on my back, “Mom, are you ok?”

I nodded and gave him an embarrassed smile.

“You cry every time we leave.” He said, perhaps not quite understanding the possibility of such heartache.

I am always grateful that the act of leaving lasts only until the x-ray machine. I will soon be sufficiently distracted by the procedures, the logistics, and the anticipation for the dreadful 20-hour trip back to Chicago.

 

CODA: If I were writing in Chinese for a Chinese readership, I would have mentioned this prose essay, “Retreating Figure” (Bei Ying, 背影) by the famed Chinese poet/essayist in the early 20th century, Zhu Ziqing, which has become part of the collective cultural memory. The title is literally “Rear View”: you can understand why it is not really the best choice in this case. You could defuse the unintentional comedy by calling Zhu’s moving essay about his father “Seeing Father from the Back” but it detracts from the one-two punch the short Chinese title delivers. Sometimes there is simply no easy translation. In “Retreating Figure”, Zhu described his leave-taking with his father as the older Zhu saw his son off at a train station. The father crossed several train tracks to purchase some tangerines for his son for the train ride. The writer vividly described his father’s endeavor as he climbed down and then up the platforms, crossed the train tracks, and then back, stopping in between his arduous journey to wipe the sweat off of his brows. No emotions were transcribed into words between father and son, or on paper, and yet this is one of the most moving pieces of literature I have read. I close my eyes and I can see the back of the older Mr. Zhu walking away as this image is overlaid with the image of my father, standing there watching me as I walk away.